
Eyes Glowing at the Edge of the Woods
Fiction and Poetry from West Virginia
The sixty-three fiction writers and poets within this anthology delve deep into the many senses of place that modern West Virginia, the core of Appalachia, inspires.
Throughout this collection, we see profound wonder, questioning, and conflicts involving family, sexual identity, class, discrimination, environmental beauty, and peril, and all the sorts of rebellion, error, contemplation, and contentment that an intrepid soul can devise. These stories and poems, all published within the last fifteen years, are grounded in what it means to live in and identify with a complex place.
With a mix of established writers like Jayne Anne Phillips, Norman Jordan, Ann Pancake, Maggie Anderson, and Denise Giardina and fresh voices like Matthew Neill Null, Ida Stewart, Rajia Hassib, and Scott McClanahan, this collection breaks open new visions of all-American landscapes of the heart. By turns rowdy and contemplative, hilarious and bleak, and lyrical and gritty, it is a collage of extraordinary literary visions.
Throughout this collection, we see profound wonder, questioning, and conflicts involving family, sexual identity, class, discrimination, environmental beauty, and peril, and all the sorts of rebellion, error, contemplation, and contentment that an intrepid soul can devise. These stories and poems, all published within the last fifteen years, are grounded in what it means to live in and identify with a complex place.
With a mix of established writers like Jayne Anne Phillips, Norman Jordan, Ann Pancake, Maggie Anderson, and Denise Giardina and fresh voices like Matthew Neill Null, Ida Stewart, Rajia Hassib, and Scott McClanahan, this collection breaks open new visions of all-American landscapes of the heart. By turns rowdy and contemplative, hilarious and bleak, and lyrical and gritty, it is a collage of extraordinary literary visions.
Cover
Praise for Eyes Glowing at the Edge of the Woods
TItle Page – Eyes Glowing at the Edge of the Woods
Copyrights
To my Reader
Table of Contents
Introduction
Olives
And Then I Arrive at the Powerful Green Hill
A Blessing
Mercy
Vow of Silence
Stone-Hearted
“What if There Weren’t Any Stars?”
The Rink Girl
The Dream of the Father
Through the Still Hours
The Boys of Bradleytown
August, West Virginia
The Dirt Road
Waking to Spring
Jennie
Thin Places
On Finally Blaming Myself a Little Finally
Almost Heaven, Almost Famous
Kennedy Wins West Virginia!
Shed
With No Questions
Quilting
A Jar of Rain
Phantom Flesh
Family Portrait With Spider Web
Appalachian Ghost
Dark Early
Belle Fleur
A History of Barbed Wire
Chokedamp
From the Pale Light of Sunset: Scattershots and Hallucinations in an Imagined Life
Picking Blackberries
I Have Slept in Beds and in Gutters
Helen, Sovereign
Homage to Hazel Dickens
Zach Speaks
Camping as Boys in the Cow Field
Ritual
Quarantine
Robbing Pillars
Dogwood, Cardinal
Boy Killed on the Grafton Road
Apocrypha
Natural Resources
Me and My Daddy Listen to Bob Marley
From Lark and Termite
What’s Left of the Jamie Archer Band
West Virginia, or What Do You Want Me to Say?
Path
Uninsured
The Hillbilly Break-dance and the Talking Crow
The West Virginia Copper-Wing
Crepuscule
West Virginia Spring
Don’t Think Like the Mountains, They’re Nothing Like the Future
Letter to an Unknown, and Probably Deceased, Photographer
In the Chemical Valley
Lessons
Point Blank
Soil
Her
Recovering Blues
Lettuce
Cortège
Solvo
Edna
Country Music
Bear Country Blues
Relapse Means I Forgot to Be Better
The Field
Daddy Longlegs
Grandma
The Roy Critchfield Scandals
Absentee
To Toil Not
Contributors
Acknowledgments
Credits
“Editors Long and Van Gundy bring together fiction and poetry to show a region as diverse as the people who make it up. . . .A collage of a region that is greater than the sum of its parts.”
Kirkus Reviews
Kirkus Reviews
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“Representing the rich diversity of West Virginians, these writers offer historical, contemporary, and timeless reflections of life and death in the great mountain state through poignant, at times haunting, poetry and prose.”
Theresa L. Burriss is the Chair of Appalachian Studies at Radford University in Radford, Virginia
Theresa L. Burriss is the Chair of Appalachian Studies at Radford University in Radford, Virginia
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“Beautiful and important.”
Silas House, author of Clay’s Quilt, The Coal Tattoo, and Eli the Good
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“This book is a literary treasure for West Virginia and the rest of the Appalachian region. It is a rumination on what it means to be of a mountain place in this day and time. In vivid, fresh language West Virginians explore place, identity, family, and so much more. A rich and important addition to mountain letters, I think this book will be regarded for a long time.”
Crystal Wilkinson, author of The Birds of Opulence, Water Street, and Blackberries, Blackberries
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“Never sentimental or clichéd, this essential collection captures the complexity and richness of West Virginia today. Revealing a deep, sometimes uneasy connection to home, these stories and poems carry us into the coalfields and hollers, cities, and small towns across West Virginia, and take surprising turns along the way to illuminate its beauty, darkness, violence, and grace.”
Carter Sickels, author of The Evening Hour
Carter Sickels, author of The Evening Hour
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